XRP has gained momentum with three days of price growth, a $26.9 billion surge in CME futures, and rising institutional interest. L’article XRP Hits $26.9B in CME Futures Trading as Institutional Demand Soars est apparu en premier sur Cointribune. XRP has gained momentum with three days of price growth, a $26.9 billion surge in CME futures, and rising institutional interest. L’article XRP Hits $26.9B in CME Futures Trading as Institutional Demand Soars est apparu en premier sur Cointribune.

XRP Hits $26.9B in CME Futures Trading as Institutional Demand Soars

2025/10/27 03:05

XRP has gained momentum with three days of price growth, a $26.9 billion surge in CME futures, and rising institutional interest.

L’article XRP Hits $26.9B in CME Futures Trading as Institutional Demand Soars est apparu en premier sur Cointribune.

Disclaimer: The articles reposted on this site are sourced from public platforms and are provided for informational purposes only. They do not necessarily reflect the views of MEXC. All rights remain with the original authors. If you believe any content infringes on third-party rights, please contact [email protected] for removal. MEXC makes no guarantees regarding the accuracy, completeness, or timeliness of the content and is not responsible for any actions taken based on the information provided. The content does not constitute financial, legal, or other professional advice, nor should it be considered a recommendation or endorsement by MEXC.
Share Insights

You May Also Like

‘Alien Earth’ Composer Jeff Russo Dives Into Score For FX Series

‘Alien Earth’ Composer Jeff Russo Dives Into Score For FX Series

The post ‘Alien Earth’ Composer Jeff Russo Dives Into Score For FX Series appeared on BitcoinEthereumNews.com. FX’s Alien: Earth — Pictured: Timothy Olyphant as Kirsh. Courtesy of Patrick Brown/FX The following contains certain spoilers for Alien: Earth! When it came time to marry picture and music for FX’s Alien: Earth, series creator Noah Hawley did what he’s done for close to 20 years: call up Jeff Russo. “[He] said, ‘I’m adapting the Alien IP, for television. What do you think, musically?’” Russo recalls over Zoom. “We started talking and I began writing music for it. It seemed like…not a foregone conclusion, but a conversation that was being had.” A founder of Tonic and a previous member of Low Stars, the composer has scored all of Hawley’s film and television projects since The Unusuals (2009). “Everything I’ve learned about making music for storytelling, I learned by doing with him,” Russo adds. “He really knows what he wants. And when you have a confident filmmaker that is also open to artistic collaboration, it’s the best of all the worlds.” The first small screen translation of the nearly 50-year-old franchise known for straddling horror, sci-fi, and action genres, Alien: Earth takes place two years before the events of the 1979 original and nearly six decades before Aliens. “We talk a lot about trying to figure out what the underlying property is making our audience feel,” Russo explains. “Trying to create a unique narrative and way of telling the story, but at the same time, making the audience feel that same feeling. In this case, there’s that feeling of dread. There’s that tense, eerie feeling created with such a deft hand in Alien. And then [came Aliens, which was] such a great action piece. So how are we going to take those two ideas and sort of mix them together, have that be something unique and different, while eliciting the…
Share
2025/09/18 07:23